Sarah Waters
Sarah Waters is one of those authors I often hear praised, but yet have never read myself. After a respected fellow booklover (Nymeth from things mean a lot) told me to read Fingersmith, I thought I could excuse myself from my darned resolution to try a little Waters. AND THANK HEAVENS I DID.
Fingersmith is many things -- thriller, mystery, Gothic romance -- but the one thing it's not is predictable. Just when you think you've put your finger on it (sorry, I could only hold out so long...just count your blessings it wasn't a worse finger joke, cause I have a few), you find out you're wrong.
First, a warning: If you think you're interested in this novel, I'd stay away from any online summaries. I read them after the fact, and they give a wee bit more information than is strictly necessary. I only read the book's back cover, and that suited me just fine. Anything more is too much.
A quick, spoiler-free overview: Sue Trinder is an orphan raised by thieves in Victorian England. Despite the excitement of living outside the law, life really picks up when "Gentleman," a member of their merry band, arrives with a plan to make their fortunes. His plan is simple: dupe a rich girl into marrying him, then dump her in a madhouse. Sue, acting as maid to said rich girl, is to aid Gentleman's plot by talking him up. It won't be long before the marriage is legalized and the riches are shared. Huzzah!
Of course, it won't be that easy. I could say more, but in this case, I think the rest of the plot is better left unsaid. What follows is a complex and intricate plot that twists and turns much like Sue's native Borough. This hefty novel (about 600 pages) flew by in quick gulps, and I finished it faster than novels half its length.
True, it's not perfect: there were a few elements I'd like better explained at the end, and a couple things that didn't really make sense to me, but these trivialities pale in the face of the novel's entirety. My biggest complaint is that I didn't read it in the fall, because it would be perfect in October thanks to a hefty dose of fog and mist, a dark and oppressive English manor, one or two madhouses, and, of course, the cramped and dirty streets of London. Did I mention the fog?
In a nutshell: With its gorgeous prose, riveting plot, and enthralling characters, Fingersmith delivers on all counts. Now, the only question that remains is, which Waters' novel should I next read?
Bibliolatry Scale: 5 out of 6 stars
Fingersmith is many things -- thriller, mystery, Gothic romance -- but the one thing it's not is predictable. Just when you think you've put your finger on it (sorry, I could only hold out so long...just count your blessings it wasn't a worse finger joke, cause I have a few), you find out you're wrong.
First, a warning: If you think you're interested in this novel, I'd stay away from any online summaries. I read them after the fact, and they give a wee bit more information than is strictly necessary. I only read the book's back cover, and that suited me just fine. Anything more is too much.
A quick, spoiler-free overview: Sue Trinder is an orphan raised by thieves in Victorian England. Despite the excitement of living outside the law, life really picks up when "Gentleman," a member of their merry band, arrives with a plan to make their fortunes. His plan is simple: dupe a rich girl into marrying him, then dump her in a madhouse. Sue, acting as maid to said rich girl, is to aid Gentleman's plot by talking him up. It won't be long before the marriage is legalized and the riches are shared. Huzzah!
Of course, it won't be that easy. I could say more, but in this case, I think the rest of the plot is better left unsaid. What follows is a complex and intricate plot that twists and turns much like Sue's native Borough. This hefty novel (about 600 pages) flew by in quick gulps, and I finished it faster than novels half its length.
True, it's not perfect: there were a few elements I'd like better explained at the end, and a couple things that didn't really make sense to me, but these trivialities pale in the face of the novel's entirety. My biggest complaint is that I didn't read it in the fall, because it would be perfect in October thanks to a hefty dose of fog and mist, a dark and oppressive English manor, one or two madhouses, and, of course, the cramped and dirty streets of London. Did I mention the fog?
In a nutshell: With its gorgeous prose, riveting plot, and enthralling characters, Fingersmith delivers on all counts. Now, the only question that remains is, which Waters' novel should I next read?
Bibliolatry Scale: 5 out of 6 stars